39. Leviathan Wakes by James S. A. Corey – Grounding Stories With Characters

Science fiction space operas are stories told at an epic scale. How can you make such a vast world accessible to readers? How can you ground these fantastical and strange new worlds in a sense of realism?

Balancing the epic with the human is perhaps the greatest strength of Leviathan Wakes by James S. A. Corey (first book in The Expanse). Today’s show dives deep into analysing how characters are they key to guiding readers through epic stories. 

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Show Notes:

jedherne.com/fires – get a free short story and join my email newsletter to hear about future book giveaways!

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anchor.fm – what I use to make my podcast for free (note: I am not sponsored by them and I make no money for this – just recommending a useful tool that I use)

30 – Ender’s Game by Orson Scott Card – Writing Twists

After Dale from The Reading Gorilla podcast sent in a listener request, who was I to ignore it? This is an episode about Orson Scott Card’s sci-fi classic, Ender’s Game. Specifically, I examine how he crafted such an amazing twist. Enjoy!

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And if you want to request an episode, or just have any feedback on the podcast, email me at jed.herne1@gmail.com, or download the free Anchor app to your phone, then search for ‘The Novel Analyst Podcast,’ and click the appropriate buttons to send me a voice message.

Show Notes:

Check out my new youtube channel for writing advice every weekday:  https://www.youtube.com/channel/UCVjB-qFoNxNbQq0S3boWxIA?view_as=subscriber  

Join my exclusive free Reader Club email newsletter to stay up to date with my writing projects:  https://jedherne.com/club/

Twitter: @jedherne

Email: jed.herne1@gmail.com

24 – The Hitchhikers Guide to the Galaxy by Douglas Adams pt. 2 – How to Write Funny

In the second part of my analysis of Hitchhikers I extract micro and macro techniques for creating comedy. (You don’t need to have listened to the 1st part for this to make sense).

Micro comedy techniques include:

  1. Garden Path – lead readers to expect a certain outcome, then deliver another.
  2. Emphasis on what comes last
    • Not so much a humour technique, but generally the last word in a paragraph has the most impact. (like we saw in that last quote)
  3. Literal Mis-interpretation: take a term normally used just to convey an idea, then actually follow through with the meaning:
  4. Fun with Homophones
  5. Reframe – how can you make readers see a common thing or a common concept in a different, more humourous, absurdist, satirical way?
  6. Oxymoron – the linking of two ideas which really don’t make sense together

Macro techniques include:

  1. Genre awareness
  2. Escalation
  3. Absurdism
  4. Surprise! (aka Subverting Expectations)
  5. Synthesis with the theme:

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***

Shownotes:

https://tvtropes.org/pmwiki/pmwiki.php/Main/FunWithHomophones

https://www.writersdigest.com/online-editor/humor-writing-filled-novel

 

Want to read my free short story? Get it here: A Clockwork Prison

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13 – The Martian by Andy Weir – Problem and Response Story Structure

book-review-the-martian

I’ve read this book multiple times and love it more with each re-read. In this episode, I try to figure out why it’s so engaging, and end up categorising problems/conflict into 6 distinctive archetypes which can benefit any story.

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***

Get my free short story! A Clockwork Prison

Want awesome short stories, bite-sized writing advice, and lists of the best books to improve your craft? Join my VIP email list!

4 – The Moon is a Harsh Mistress by Robert Heinlein – Writing an Amazing Midpoint

Done poorly, midpoints can bog down your story with annoying slowness. That’s not the case in today’s novel, which showcases one possible solution to avoiding the dreaded soggy middle.

Listen here.

Shownotes:

The Moon is a Harsh Mistress by Robert Heinlein (affiliate link – using it will give me a tiny bit of money, at no extra cost to you)