Red Country by Joe Abercrombie is an innovative and captivating work, merging the fantasy and western genres into something new and fresh. A big part of its success are Abercrombie’s vivid and immersive descriptive language. This episode dissects how to write setting descriptions that make readers feel like they’re part of your story’s world.
Stoked to interview Gareth Hanrahan, author of The Gutter Prayer – which I analysed on the show just a few days ago. We had an excellent in-depth chat about his book, how writing for role-playing games has helped him as an author, and lots more. Enjoy!
My debut fantasy novella, Fires of the Dead, comes out September 20th! Buy a copy during launch week (between 20th-27th September), then send me your receipt and I’ll set you up with exclusive bonuses. My email: firstname.lastname@example.org
What does it mean to craft epic fantasy? How is it different that other forms of fantasy? What are it’s unique strengths, and potential pitfalls? All those questions and more answered in today’s episode, which focuses on The Way of Kings by Brandon Sanderson.
In this fantastic YA fantasy novel, the town of Ketterdam is a living, breathing, three-dimensional creation: as much a character as any of the other (brilliant) characters in this story. Bardugo is a master of making a setting come to life. In today’s in-depth episode, I analyse a scene to extract key techniques writers can use to improve their setting descriptions.
Fitzgerald’s classic chronicle of the Jazz age is often praised for its wonderful prose. In this episode, I examine what makes his prose so stylistically appealing – and we look at how you can write better prose. Keep beating on, boats against the current!
Sanderson is a master of creating compelling fantasy worlds. Mistborn is a perfect example – and it’s one of the best novel’s I’ve read this year. In this episode, I’ll analyse different techniques Sanderson uses to craft an amazing world.