This absurdly funny sci-fi comedy is a fantastic example of how you don’t always need amazing characters to create an amazing story. Buckle up as we use Orson Scott Card’s MICE quotient to analyse what makes this novel work. And remember: don’t panic!
Fitzgerald’s classic chronicle of the Jazz age is often praised for its wonderful prose. In this episode, I examine what makes his prose so stylistically appealing – and we look at how you can write better prose. Keep beating on, boats against the current!
21 – The Graveyard Book by Neil Gaiman – Meaningful Endings and the Truth.
Truth. It’s one of the most important aspects of story – especially of stories that are fantastical. In this episode, I explore how Gaiman created a truthful, meaningful, and emotional resonant ending to his Hugo and Newberry award-winning novel: The Graveyard Book. (Includes bonus singing from yours truly) Enjoy!
Sometimes the key to compelling characters is to make them NOT fit neatly into your plot. That’s what Sanderson does in Warbreaker – a stand-alone fantasy book (that he also gives away for free on his website!).
This historical World War II novel by Australian author Markus Zusak has compelling characters, an engaging plot, and wonderful writing. But it’s biggest strength is the narrator: the personification of Death. In this episode, I use The Book Thief to break down the key qualities of a compelling narrator.
I recently read the third and final book in Gabriel Bergmoser’s Boone Shepard trilogy – and I loved the ending so much that I’d outlined an episode within hours of finishing the book. Here’s my thoughts on how to write great endings.
After reading this amazing book twice (my fave read of 2017!), I finally figured out how to articulate my thoughts about it. It’s an amazing read, full of emotion, and in this episode I break down HOW Daniel Keyes achieves this. Enjoy!