Red Country by Joe Abercrombie is an innovative and captivating work, merging the fantasy and western genres into something new and fresh. A big part of its success are Abercrombie’s vivid and immersive descriptive language. This episode dissects how to write setting descriptions that make readers feel like they’re part of your story’s world.
An in-depth look at creating interesting, cohesive magic that improves your story in meaningful ways.
This is a follow up to an interview I did with the author a few weeks ago. We had an excellent chat about his book as a whole, and to complement our discussion, I wanted to do an episode diving deep into his magic system – which I really enjoyed and made the book feel super unique. Enjoy!
My debut fantasy novella, Fires of the Dead, comes out September 20th! Buy a copy during launch week (between 20th-27th September), then send me your receipt and I’ll set you up with exclusive bonuses. My email: firstname.lastname@example.org
What does it mean to craft epic fantasy? How is it different that other forms of fantasy? What are it’s unique strengths, and potential pitfalls? All those questions and more answered in today’s episode, which focuses on The Way of Kings by Brandon Sanderson.
In this fantastic YA fantasy novel, the town of Ketterdam is a living, breathing, three-dimensional creation: as much a character as any of the other (brilliant) characters in this story. Bardugo is a master of making a setting come to life. In today’s in-depth episode, I analyse a scene to extract key techniques writers can use to improve their setting descriptions.
This absurdly funny sci-fi comedy is a fantastic example of how you don’t always need amazing characters to create an amazing story. Buckle up as we use Orson Scott Card’s MICE quotient to analyse what makes this novel work. And remember: don’t panic!